I realized recently that while I've been in Boston, I've met and been exposed to some pretty neat local artists. For whatever reason, this never happened in Texas, though that is not to say there aren't some wonderful artists there, too.
I've mentioned
J.L. Munro here on the blog before because we ran across her paintings at a
fair and again at an
antiques show, where we bought some prints. We recently had the prints framed and are looking forward to hanging them in our new home, wherever that may be. Her work has been purchased by several presidential families, is in a couple of museums, etc. My guess is that she is the most commercially successful of the three artists I've come in contact with during our time here in Boston. Her subjects are usually of natural/quaint New England scenes. Here is an example of her work:

I love the realistic detail in her paintings, as well as the sense of familiarity in them, as if you could picture yourself looking down on that scene in person. Another reason I like them is because I simply like New England, the subject in most of her paintings.
Another artist I actually do know personally is
Melissa Fassel Dunn. I knew her when I worked at
HGSE, as she was also employed there. She did a great job as the webmaster, but I would be willing to bet that her first love is painting. She does whimsical paintings of buildings, mostly, and they are quite charming and interesting to look at. Here's an example:

I believe Melissa is currently working on a book with a children's author, and I think that'll be a great application of her style.
The artist whose work I probably admire the most is
Laura Tryon Jennings. I knew her husband from HGSE, as well. I just find her stuff incredibly sophisticated, complicated, and very pleasing to look at. On her website, she has written an
artist's statement in which describes her style, and what she has to say interesting and compelling. In part, she says, "Within each piece I use an amalgam of color and composition to depict the wavering tension between tranquility and chaos." I find that interesting. She also says, "Each piece conveys the message that we ought to take time from our hectic pace to reflect, treasure life's simplicity, if only for a moment." That sentiment is reflected in her painting of a bowl of cereal, for example. Here are some pieces I like:


That last one is in Harvard Yard, and I might just have to buy a print, since my commute to work for a couple of years involved walking through there.
This is not by any current local painter, obviously, but I think I am going to buy a print of it. It's an old map of Boston (1873). A friend of mine has a copy of this hanging on her wall, and I was immediately fascinated by it; I love old maps. I've wanted to buy one for a while, but I'm just now getting around to it. If you zoom in, you can actually see our church in the painting, which is pretty neat.

I just thought I'd share. Enjoy!